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Nothing, by Anne Marie Wirth Cauchon
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"Apocalyptic and psychologically attentive. I was moved."
-Tao Lin, New York Times Book Review
"A marvelously scathing indictment of a generation that has no choice but to burn. From Nothing’s outset, [Wirth Cauchon] crafts scenes with complexity and a scary prescience. [Nothing is] a riveting first piece of scripture from our newest prophet of misspent youth."
-Paste
"Like a movie adaptation of Daria as directed by Gregg Araki. The energy almost makes each page glow. Though this novel starts as Bret Easton Ellis, it ends as Nick Cave - thunderous, apocalyptic. The move into the grand and mythic separates Nothing from the usual stuff concerning the bored and the pretty."
-Electric Literature
"Nothing feels like the descendent of the masterful short stories of Denis Johnson’s Jesus’ Son. [A] noteworthy debut."
-Bustle
"A burning mean and darkly mysterious read."
-Joy Williams
"I could tell you that Anne Marie Wirth Cauchon has written an utterly contemporary novel of our fragmented culture, a novel that I think might be the great American novel of the selfie, brilliantly alternating the narratives of two young travelers partying and searching and losing themselves in the wild West — a Kerouac hitchhiker juxtaposed with the nihilistic, wanting, wandering Ruth and her toxic friendship with her prettier best friend. But this is what I want to tell you—this is what you need to know — Anne Marie Wirth Cauchon writes like a beast, brutal and ecstatic. You need to read this."
-Kate Zambreno
"An edgy debut. Cauchon's characters have serrated edges... they'll get under the reader's skin."
-Publishers Weekly
"Claustrophobic. It's August and the hills are on fire and I'm reading Nothing. I see Wirth Cauchon's characters lurking around Missoula, outside the bars and walking along the river, lost and fucked up, abused and abusers, seekers, trustafarians, and ne'er-do-wells. Stuck in the limbo of youthful identity crisis, desperate for a way in or a way out."
-Jeff Ament
Ruth traded a dead-end life in Minneapolis for a dead-end life in Missoula. But in Missoula, she's got Bridget. "[Bridget] was gorgeous… but that wasn't it, that didn't quite explain it. What explained it was the curse. The curse of the unreasonably pretty, the curse of cult leaders and dictators. It sucked everyone to her, it consumed her, made her untouchable."
After a local girl dies at a party, signaling the end of fun for the twentysomethings of Missoula, James and Ruth become involved. But jealousy over Bridget quickly complicates things.
Nothing announces a nervy and assertive new voice, while also capturing the angst and foreboding that could mark it as an even grander generational statement.
- Sales Rank: #1921481 in Books
- Brand: Brand: Two Dollar Radio
- Published on: 2013-11-26
- Format: Deckle Edge
- Original language: English
- Number of items: 1
- Dimensions: 7.60" h x .70" w x 5.50" l, .50 pounds
- Binding: Paperback
- 185 pages
Features
- Used Book in Good Condition
From Publishers Weekly
Nothing, an edgy debut from Cauchon, follows Bridget and Ruth (€œThe first time I saw Bridget,€ Ruth narrates, €œI knew right away we'd be best friends. Or enemies€) as they stumble in and out of parties under the influence of booze and pills, not enough food or self-respect, and a vicious anger that manifests in Ruth as something more like desire. Oppressive smoke from nearby wildfires grows ever denser, the story's ticking bomb. James, a wanderer with a stolen gun and a wallet full of his stepfather's cash, heads Bridget and Ruth's way, tracking his dead biological father, guided by a handful of photographs and the rumors of some hobos. The hateful sexuality simmering behind Bridget and Ruth's friendship explodes into a relatively predictable m�nage � trois that kicks off a storm of violence, dramatically coinciding with the inescapable arrival of the wildfires. The relationships here are more complicated than they seem—the uncanny physical resemblance between James and Bridget provides a mystery that's easy for the reader to solve, but it's fascinating to watch Ruth misunderstand the obvious over and over, her clarity fogged by too many drinks and an inability to see her own value. Cauchon's characters have serrated edges; they're impossible to like, but they'll get under the reader's skin. (Nov.)
Most helpful customer reviews
2 of 2 people found the following review helpful.
Great new literary voice
By MTbookworm
Two narrators, one boy one girl, navigate the fraught and fiery landscape of summertime Missoula. They are searching. Looking for something specific, anything with a purpose and bearing. But, because their vision is clouded (the smoke? the drugs?) they don't find much of anything new. They lose their way, double back upon themselves, fall into the same holes, see the same people. Until they don't and everything is different, and indiscernible and wrong.
This book is weirdly hard. Unobtrusive until you see yourself in the characters (and likely you will) and are confronted with the nothing and everything that life can be.
Read it for it's prose, it's excellent pop culture references and the fact that it doesn't ask the direct question for you.
Also, and I am not trying to be righteous, Two Dollar Radio is an amazing independent publisher. If, only IF, you can, perhaps buy the book directly from them. Otherwise, get it how you can. It's worth it.
0 of 0 people found the following review helpful.
Dark Magic
By Michael W. Clune
This extraordinary novel sets two ghostly voices spinning around each other, builds incredible cyclonic tension. The deep strangeness of the characters' perspectives emerges only slowly, and mainly through the perfectly off-balanced images with which the author condenses their perceptual lives. I was enthralled by the story, until the end, which was a challenge for me. Unexpectedly difficult, which I think I actually like.
Two lines (of many) I marked:
"her eyes glinting like gas vapor on the air..."
"I couldn't say baby. It was embarrassing. Like saying Revolution or I love you."
(The freakish context of this last line ignites it.)
0 of 0 people found the following review helpful.
terrifying, good
By owen
The language of this book is what really gets me. There's a scene near the beginning describing a drug-addled dance, and the narrator--a woman stuck in some nightmarishly dead-ending friendship that's also completely riddled with destructive desire--says, "Shoulders and torsos swarmed me. I was struck in the face and inhaled my own bone smell and blood smell with iron and thick." Something about the fractured repetitiveness of this sentence, its doped-up grammar, strikes to the heart of what I like about this novel, Nothing. It's recursive and scary. It trusts that the reader can be drawn to characters who are far far far from the kinds of self-knowledge we associate with stability and trust. Or maybe they just know too much, and they see the actual nothing.
More books should have creeping forest fires and smoke. More books should have the line "as if there was such a thing as human feeling." It's not the comfortable kind of scary, but this book is scary--and it is good.
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