Kamis, 27 Oktober 2011

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Skin Deep, by Charles Burns

Classic stories starring Dog Boy and Mister Blister, as well as several tales of doomed romance and creepy revulsion, plus a selection of sketchbook excerpts, covers and illustrations.

Charles Burns is the creator of the landmark horror graphic novel Black Hole (in development as a major motion picture directed by David Fincher). Skin Deep is the third (following El Borbah and Big Baby) of a series of three volumes reprinting his acclaimed oeuvre up to Black Hole. Skin Deep includes Burns's popular character Dog Boy (a red-blooded all-American boy with the transplanted heart of a dog) and the classic strip "Dog Days," in which a hash-slinging vixen wags her tail at our fearful hero. The book also collects "Burn Again," which features a strange fella named Bliss Blister, claiming to bring the Word of God, but some fear he brings something evil and profane. In "A Marriage Made in Hell," a young wife's flesh tingled with passion, but the sight of her made her husband's skin crawl. Was the love-knot she tied really a hangman's noose? These tales of doomed romance set a tone for the rest of Skin Deep. In addition to the comics, Skin Deep includes several pages of new illustrations reprinted from Burns's sketchbooks as well as covers and other pieces from foreign editions of Burns's work. 96 pages of b/w comics

  • Sales Rank: #1356167 in Books
  • Published on: 2009-09-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.10" h x .40" w x 9.10" l, 1.00 pounds
  • Binding: Paperback
  • 96 pages

Review
A master of the unearthly atmosphere―David Lynch has nothing on him ... At once cautionary, creepy and curious, Burns is consistently one of comics’ deepest thinkers. (John Seven - Worcester Magazine)

About the Author
Charles Burns is the award-winning creator of the graphic novel, Black Hole, currently in production as a major motion picture directed by David Fincher. He lives in Philadelphia, PA.

Most helpful customer reviews

10 of 11 people found the following review helpful.
Charles Burns lays the ink, touches the dark heart of Americ
By zajac@nortel.com
My wife doesn't like this book. That's all you need to know. Go for it. Well, I'll vouchsafe a bit more. A cartoonist I was talking to once put it very neatly. Speaking of his education by another cartoonist, he said "he taught me the art of knowing where to put the ink." Sounds silly, I know, but think about that next time you look at a B&W comic book. To me, Charles Burns might well be the first book I'd hand to someone, as Exhibit A of knowing where to put the ink. And I haven't even gotten around to discussing his subject matter, yet! You need to know that Burns' work is very emotional, more than a little surreal, peopled by montrous humanoids, a little too familiar for my tastes; most people would say ugly, the rest, beautiful. Themes of doglike love, the rampage of spirituality gone hopelessly awry, the pieces of passion exploded beyond recognition, and stitched together like a calico cat. It's all here. Good luck.

5 of 5 people found the following review helpful.
Dark, Twisted and Funny
By A Customer
I confess to being a Burns freak, owning everything I can find of his - even if he only has one or two pages in a book, I will buy it. This doesn't disappoint if you are a fan of Burns, or just enjoy comix that are deeply twisted, some sort of hell from the inside of a demented mind. Burns has a distinctive way with the pen and the comix themselves are also enjoyable.

3 of 3 people found the following review helpful.
Some of Charles Burns best work...
By Matthew L. Mutchmore
If you have the Penguin Books 1992 version of SKIN DEEP, then you have 95% of the content of this edition. The Stories "Dog Days" and "Burn Again" were published as weekly strips between 1988 and 1991. The story "A Marriage Made in Hell" was published as a whole in RAW back in 1984.
If you were paying attention, you'll recognize "Dog Days" as the source material for the brilliant live action serial "Dog Boy" which ran on MTV's LIQUID TELEVISION.
For this souped up version of SKIN DEEP (volume 3 in The Charles Burns Library), there are new covers, new interior front and back pieces, and an epilogue with a little explanatory verse and some collected bits and pieces including: a Burns cover for BLAST magazine (1991, which also serialized Dog Boy), black and white reproductions of the 1992 edition covers and endpieces, a self portrait which also appeared on the cover of Comics Journal in 1992 and some fabulous Burns "wallpaper" which you are encouraged to photocopy to use as such.
Very satisfying for the Burn enthusiast.
This edition was delayed several times, probably due to the time consuming and painstaking efforts that go into his creations.
It's definitely worth the effort. Thanks Charles!

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Selasa, 18 Oktober 2011

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  • Sales Rank: #9084618 in Books
  • Published on: 1800
  • Binding: Paperback

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Kamis, 13 Oktober 2011

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Note: this is a shortened version of the original, hardcover work. References have been removed.

For much too long now, a literary work, once completed, has been viewed as having a separate existence, no longer under the author's control, and so left open to a variety of responses, regardless of how widely variable, or even contradictory, they might prove to be. However, that misguided approach simply ignores the fact that the three authors, in each case, have maintained a strong controlling presence within their completed works, a pervasive presence that is clearly revealed through the meticulous crafting we can discover throughout each work. The Art of Literary Thieving invites its readers to follow in the clearly marked footsteps of these three classic authors, as each of them crafts his materials into one of the world's truly exceptional literary experiences. The close, and as yet undiscovered, relationship that exists between these three works offers readers a more revealing light that shines forth from each of them upon the other two, bringing a greater clarity to these always challenging literary creations. That relationship also helps to highlight the detailed crafting within each work that has been meticulously designed, in each case, to guide the reader to the author's ultimate goal: a vibrant, imaginative experience, imbued with meaning and emotion, that the author wishes to share with the reader. The three authors, without question, have each succeeded in reaching that goal. And they also remain, within their works, ready to show their readers how to join them. This is an important book for all literature collections.

  • Sales Rank: #3101809 in eBooks
  • Published on: 2009-07-28
  • Released on: 2009-07-28
  • Format: Kindle eBook

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QuickBooks� 2014: A Complete Course is intended for use in a one-term course in microcomputer accounting. No prior knowledge of or experience with computers, Windows, or QuickBooks is required; however, an understanding of accounting is essential to successful completion of the coursework.


Designed to present accounting concepts and their relationship to QuickBooks 2014, this text uses fictitious companies to provide hands-on training while it introduces major accounting concepts.

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  • Provide a Real-World Experience with Extensive Hands-On Material: This text provides students with ample opportunity to apply the concepts presented in the text and software
  • Explore the Many Features of QuickBooks using an Innovative Approach: With thorough exploration of the program in the text, students should be able to transition from training to using QuickBooks 2014 in an actual business. �
  • Keep your Course Current: This edition reflects the latest version of QuickBooks along with several changes, enhancements, and new features.

  • Sales Rank: #327649 in Books
  • Published on: 2014-05-09
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.80" h x 1.10" w x 9.00" l, .0 pounds
  • Binding: Spiral-bound
  • 784 pages
Features
  • QuickBooks2014
  • Janet Horne
  • A complete course

About the Author
Horne of Los Angeles Pierce College

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0 of 0 people found the following review helpful.
Quality of after market ink Hi vision Hi yields company ...
By Amazon Customer
Quality of after market ink Hi vision Hi yields company was the wost. The ink did not work and did not have ink.

3 of 4 people found the following review helpful.
Very Substandard "Textbook"
By JustTheFacts2010
This book was very expensive and is full of typos. Very unprofessional writing Janet Horne. Some of the instructions don't even make sense. You just have to ignore the stuff that makes no sense. Some of the things are just plain WRONG. Like reprinting a payment receipt after recording a NSF check. Makes no sense because the payment receipt prints out exactly the same before and after recording the NSF check, so what is the point? Those are just a couple of the many reasons I feel this book is a total rip off. The paper is cheap and flimsy and the print is also extremely low quality. If you try to erase a pencil marking off of a page and lightly erase over part of the text it erases right off the page. This should not happen in a "textbook" that costs $170.00 + tax. To make matters worse the price has gone down 20 dollars since I bought it 2 months ago. And to add insult to injury, the writing seems to be geared toward a very low level of ability. Without a doubt the worst college "textbook" I have ever had the unfortunate experience of having to use for a class.

1 of 1 people found the following review helpful.
It is a school text book.... ...
By Me mine
It is a school text book ..... I learned a lot from it. It actually explain how to use the quick book program very well.

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Rabu, 12 Oktober 2011

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Full Wolf Moon: A Novel (Jeremy Logan Series), by Lincoln Child

The New York Times bestselling author of The Forgotten Room and Deep Storm is back with a new thriller that follows the trail of a killer who cannot exist . . . featuring Jeremy Logan, the renowned investigator of the supernatural and fantastic.

Legends, no matter how outlandish, are often grounded in reality. This has been the guiding principle behind the exhilarating career of Jeremy Logan, the "enigmalogist"—an investigator who specializes in analyzing phenomena that have no obvious explanation—previously seen in The Forgotten Room, The Third Gate, and Deep Storm. Logan has often found himself in situations where keeping an open mind could mean the difference between life and death, and that has never been more true than now.
     Logan travels to an isolated writers' retreat deep in the Adirondacks to finally work on his book when the remote community is rocked by the grisly discovery of a dead hiker on Desolation Mountain. The body has been severely mauled, but the unusual savagery of the bite and claw marks call into question the initial suspicions of a wild bear attack. When Logan is asked to help investigate, he discovers no shortage of suspects capable of such an attack—and no shortage of locals willing to point the finger and spread incredible rumors. One rumor, too impossible to believe, has even the forest ranger believing in werewolves. As Logan gets to know the remote deep-woods landscape, including a respected woman scientist still struggling with the violent loss of her father in these very woods, Logan realizes he's up against something he has never seen before.
     His most action-packed and white-knuckled novel to date, Full Wolf Moon is the perfect combination of exotic locales, provocative science, and raw action that make for a deeply entertaining Lincoln Child blockbuster.

  • Sales Rank: #321 in eBooks
  • Published on: 2017-05-16
  • Released on: 2017-05-16
  • Format: Kindle eBook

Review
"Scary, atmospheric . . . Fans of The X Files will be enthralled."
--Publishers Weekly (starred review)

About the Author
LINCOLN CHILD is the New York Times bestselling author of The Forgotten Room, The Third Gate, Terminal Freeze, Deep Storm, Death Match, and Utopia, as well as coauthor, with Douglas Preston, of numerous New York Times bestsellers, most recently Crimson Shore. He lives with his wife and daughter in Morristown, New Jersey.


From the Hardcover edition.

Excerpt. © Reprinted by permission. All rights reserved.
1

At seven thirty in the evening Palmer stopped for another snack—handmade gorp and an energy bar from the lid pocket of his backpack. He’d sworn hours before that he wouldn’t allow himself a real dinner—hot and steaming from his titanium griddle—until he’d found a decent place to tent for the night.

He looked around slowly as he chewed the energy bar. He’d known it would be a rough slog, and he had believed himself familiar with the surrounding region, but nothing had prepared him for the hike in that day. Guess all the stories were true, he thought a little sourly.

It was the second weekend in July, the sun was just starting to slip behind the horizon to the west, but he could nevertheless make out Desolation Mountain, maybe four miles to the north. It stood there, alone, a mirror of blue-black lake at its base, its green flanks exposed as if taunting him. Four miles—but with this country, it might as well be forty.

“Shit,” he muttered, shoving the wrapper of the energy bar into his pocket and starting off once again.

Desolation Mountain was a trailless peak of 3,250 feet, making it not high enough to be among the “true” forty-six Adirondack tall peaks. Even so, its vertical rise and distance from other summits made it worth notching his belt with. But what made the mountain most attractive to hard-core backpackers, mountain hikers, and students of the Adirondacks was its remoteness. It was situated in the Desolation Lake area, west of the Five Ponds Wilderness—perhaps the wildest, most remote section of the entire six-million-acre park.

Remoteness didn’t bother David Palmer. He liked nothing better than to disappear into the wilderness and go for days without seeing another human being. It was actually getting to the mountain that was proving a real bitch.

At first, it hadn’t been bad at all. He’d left his SUV hidden among the trees at the Baldwin Mountain trailhead, then hiked five miles down a private logging road until at last it petered out. This was followed by miles of virgin, old-growth timber, so tall that it was always dusk beneath and the forest floor was soft and completely free of saplings.

But then he left the Five Ponds Wilderness, the forest fell away behind him, and he began the approach to Desolation Lake. And here was where his fast, easy pace suddenly slowed to a crawl. The country grew ugly, barren, and nearly impossible to traverse. The wilderness between him and the mountain became a labyrinth of outwash bogs, blowdowns, and “kettle holes,” forcing him to watch every step he took. There was no trail, of course, not even a herd path, and with ravines running at crisscrosses to each other he’d had to rely frequently on his Garmin Oregon handheld GPS. More than once he’d slipped on treacherous, barely visible rocks covered with lichen. Thank God he’d decided on wearing his off trailboots—otherwise he’d have turned an ankle, or worse, long before now.

After another quarter mile, he stopped again. The way ahead was blocked by an overlapping downfall too tight for him to squeeze through with the heavy pack on his back. Cursing under his breath, he shrugged out of the pack, found the widest hole in the downfall, shoved the pack through, then wiggled his way in behind it. The dry ends of branches poked at his limbs and scratched his face.

On the far side of the downfall he put the pack back on, making sure that the compression straps were good and tight. This late in the day a pack began to get heavy, and he wanted to make sure its contents stayed stable.

He spent a moment, shrugging his shoulders this way and that, getting the pack into position. Even though the majority of hikers used internal backpacks these days, Palmer still preferred one with an external frame—in his case, a Kelty Tioga. He tended to travel heavy, and he found externals easier not only to pack, but to carry and balance as well.

The sun had disappeared, and the landscape was growing darker by the minute. The change was actually perceptible to him, as if some god of nature was slowly turning down the dimmer switch. A full moon was rising into the black sky, lending a strange, dappled, almost spectral luminescence to the landscape, but he wasn’t going to rely on the moonlight: it had the tendency to camouflage things, hiding sinkholes and gullies, and he’d learned the hard way not to trust to chance. He reached for the flashlight clipped to his belt, plucked it off, and turned it on.

By now it was past nine. As he started off again, he did a mental calculation and determined his pace had slowed to something like half a mile an hour. Of course, he could keep going until he reached Desolation Lake and camp on the shore. But he wouldn’t get there until at least midnight, and by that time he’d be too whipped for an enjoyable climb the next day. No: there hadto be a spot, some spot, in this godforsaken wilderness flat and bare enough for him to pitch his three-season tent and spread out his cookware. A hot meal, a soft sleeping bag, were beginning to seem like unattainable luxuries.

Not for the first time, as he made his way carefully forward, flashlight beam licking this way and that, he wished that he was back in the High Peaks region of the park. True, the trails there were often as wide as superhighways, and you were always trippin gover other hikers, but at least you had a regular, goddamn forest around you with clearings and glades, not this alien riot of—

He stopped by a cluster of witch-hobble. He’d been so absorbed in his thoughts, and in his perusal of the treacherous ground ahead of him, that he hadn’t realized there was a strange smell in the air. He sniffed. It was faint, but discernible: sour, a little musky; not skunklike exactly but definitely unpleasant.

Palmer shone his light around, but there was nothing. He shrugged and continued.

The moon was rising higher in the sky, bathing Desolation Mountain in its lambent glow. Three miles left. Hell, maybe he should just try to bushwhack his way to the lake, after all. But then there was the trip back to consider, and he had to—

There it was again: that smell. It was stronger now, and fouler: rank and animal.

Once again he stopped and searched around with his flashlight, feeling a prickle of anxiety this time. Small saplings and a latticework of flattened, fallen tree limbs reflected the beam back at him. The bright circle of light made everything outside it pitch black.

Palmer shook his head. He was letting the eerie desolation ofthis place get to him. He’d barely seen an animal all day, just a single raccoon and a couple of young foxes. And that had been back in the old-growth forest. No animal in its right mind larger than a mouse would live in this kind of shit. His frustrating slog had to end sooner or later. And once he had a bellyful of chili inside him and his favorite inflatable air mattress beneath his sleeping bag, he’d be—

Now the smell was back, worse than ever, and with it came a sound—a deep, guttural noise, half grunt, half snarl. It sounded angry—angry and hungry.

Without even pausing to think, Palmer began to run. He ran as fast as the heavy pack allowed, the flashlight beam striping crazily ahead of him, panting, gasping, bounding over fallen trees and kettle holes, as the grunting and snuffling grew increasingly loud behind him.

And then his foot snagged on a protruding root; he crashed heavily to the ground; a heavy weight that had nothing to do with his pack pressed suddenly against his back—a horrible, rending pain like nothing he’d experienced in his life clawed across his face and neck as the reek washed over him like a wave, then another explosion of pain, then still another . . . and then everything faded, first to red, and then to black.

2

THREE MONTHS LATER

From the suburbs of New Haven, the route led north to Waterbury, then west along the meandering line of I-84 until—after it crossed into New York State and passed over the Newburgh-Beacon Bridge—it intersected with I-87, the New York Thruway. Here the route became much more direct, arrowing north until the low, furred peaks of the Catskills began to assert themselves to the left. Traffic on this Friday afternoon grew heavier as Albany approached. It thinned out somewhat at Glens Falls, where all the trailers and flatbeds carrying Formula One vehicles bound for Watkins Glen exited. It thinned even further at Lake George, which even this late in the year drew tourists and weekending families.

It was at the first rest stop after Lake George that Jeremy Logan pulled over his vintage Lotus Elan and—although the afternoon was lengthening and the temperature hovering just above sixty—stopped long enough to put the roadster’s top down before proceeding.

It had been fifteen years since he’d last made this journey, but this last part had always been his favorite leg and he was determined to enjoy it. With each passing town—Pottersville, Schroon Lake, North Hudson— the traffic lessened and the mountains around him swelled as if heaved up from the ground. The dark bulks of the High Peaks of the Adirondacks rose skyward, proud and inviolate, clad in their October hues of green and russet and gold, dwarfing the Catskills he’d traveled through not three hours before. The air that rushed past his windscreen became deliciously cool, freighted with the smell of pine. The setting sun gilded the bald tops of the taller mountains, while the valleys and cols between them— thick with spruce, beech, and birch— grew ever darker and more mysterious.

The Northway— as this section of I-87 was called— was as scarred and seamed with tar sealant as he’d always remembered, and with a little imagination he could relive the last time he’d made this drive, with John Coltrane and Bill Evans just barely audible on the half-muted stereo and Karen, his wife, sitting in the passenger seat. There was something about the ever-increasing height and bulk of the surrounding mountains, the afterglow and fast-onrushing night, that always seemed to coincide with the lastl eg of the six-hour drive from Connecticut, that quickened his pulse and whetted a taste for adventure.

Logan had never been much of an outdoors type—he’d been a passable fly fisherman as a youth, taught by a father with a mania for the sport, and he could usually manage to finish eighteen holes of golf with a score of less than three digits. But he had no patience for such things as jogging or running marathons— such activities seemed paralyzingly dull to him, a hamster running in its wheel. But one long weekend early into his marriage, another couple who were both assistant professors at Yale and card-carrying AMC members had convinced him and Kit to come along for a climb up Whiteface Mountain, just north of Lake Placid. Logan had accepted with reservations, only to find the mini-vacation a delight. There was something deeply satisfying about hiking up a mountain— selecting a route, navigating the trail blazes, enjoying the beauty of the changing microclimate as you ascended, pacing yourself for the truly steep stretches . . . and then at last breaking through the tree line and following the meandering rock cairns to the summit itself. Not only were the views remarkable, but there was something ineffably rewarding about conquering the peak itself. No, that wasn’t right, because these mountains could not be conquered, or even tamed—it was more like coming to an accommodation, an understanding, with them. It was something you could never get from a treadmill session. After Whiteface, he and his wife had returned again, several years in a row, becoming modest “peak baggers”: Algonquin, Cascade, Porter, Giant, and of course Mount Marcy— at 5,344 feet the tallest mountain in New York State.

But then their careers—his as a scholar-professor and hers as a professional cellist—had increasingly taken over their time. And what vacations they had were taken up with trips abroad to supplement his research, or to spend a week at Tanglewood when Karen was playing at the music festival there— and the three- day weekends in the High Peaks fell away behind them, just as the Northway was doing now in his rearview mirror.

At Underwood, he turned off the interstate onto NY 73 and followed the road as it wandered through thick forests and past fierce waterspouts rushing down stony gorges. He drove through Keene Valley and the town of Keene itself, then arrowed directly westward for Lake Placid and, beyond it, the village of Saranac Lake. The towns were a little larger than he remembered, and on their verges the footprint of man cut a little more heavily into the forest, but the changes were subtle and he remained irresistibly reminded of trips past.

“It’s almost the same, Kit,” he said as he drove. “It’s like our last trip up, when we climbed Skylight and almost got lost in the fog.”

He often found himself talking to Kit, dead of cancer now for more than five years. Naturally he did this only when he was by himself—save for Kit, of course—and yet it was less of a one-way conversation than one might have expected.

At Saranac Lake, he turned left onto Route 3, heading in the direction of Tupper Lake. Only the occasional car passed him now in the other direction, headlights winking in the humid forest air. He was not as familiar with this part of the park and—with an intense darkness closing in around him— he drove more slowly. About five miles farther on, his headlights illuminated a large, open gate cut into the thick spruce forest to his right. There was no signage on or beside the gate, merely a large metal symbol: a cumulus cloud hovering over a rippling watery surface.

He turned in, followed a bumpy, heavily rutted dirt road fo rperhaps two thousand feet—and then, suddenly, the forest parted to reveal a vast, weathered, three-storied structure of dark brown wood and rough-hewn stone. It sat beneath a massive, shingled-frame roof in Swiss chalet style that went from the serried chimneys along its ridge vent almost all the way to the ground. Twigwork balconies ran along the entire second floor as well as the third, shorter floor, and from within the large, red-framed windows that stood in series, the welcome glow of countless lamps and fireplaces beckoned.

This was Cloudwater, Logan’s destination. But it had not always been known by that name. Sixty years before, it had been Rainshadow Lodge: one of the “Great Camps” built in the late nineteenth century as summer residences of the very rich along the lake shores of wild corners in upstate New York and New England. And Rainshadow Lodge, with its quintessential “Adirondack Rustic” architecture and huge cupolaed boathouse situated on Rainshadow Lake, had been one of the most famous and grandiose of all.

But all that had changed in 1954. Now its function was to serve as far more than just an oversized rustic summer playground for one of Manhattan’s wealthiest families. And Logan had driven all the way up from his Connecticut home to take full advantage of that new function.

Following a semicircular drive directly before the building, he parked the car, stepped out, ascended the steps—worn and incredibly wide—and walked past the lines of white- painted Adirondack chairs into the lobby. It was warm and welcoming, indirectly lit, with a mellow, golden, faintly hazy atmosphere redolent of wood smoke. He felt the oddly pleasing sensation of a fly sinking into amber.

A reception desk of cinnamon-colored wood, glowing from what appeared to be the application of fifty coats of lacquer, stood directly ahead. A middle-aged woman behind it looked up at his approach, smiled.

“I’m Jeremy Logan,” he told her. “Checking in.”

“Just a minute.” The woman consulted a tablet computer tucked behind the desk as if it were an anachronism to be kept hidden. “Ah, yes. Dr. Logan. You’ll be joining us for six weeks.”

“That’s right.”

“Very good.” She studied the tablet for a few more moments. “Dr. Jeremy Logan?” She looked up suddenly, recognition flashing in her eyes before being quickly suppressed. “But it says here ‘historian.’”

“I am an historian. Among other things.”

After a moment, the woman nodded, then glanced back down at the tablet. “I see you’ve been booked into the Thomas Cole cabin. By Mr. Hartshorn himself. That cabin is usually reserved for musicians or artists—writers are always assigned rooms in the main lodge.”

“I’ll remember to thank him.”

“It’s just past the boathouse, not two minutes’ walk. I could show it to you now, and then you can park your car in the assigned lot and retrieve your bags.”

“Thank you, I’d appreciate that.”

Turning around and unlocking a wooden cabinet behind her, she took a large key from one of several dozen brass pegs. Then, relocking the cabinet and coming out from behind the desk, she smiled once again, then led the way back outside and down the hard-packed dirt road to a nearby path into the woods, flanked by walkway lights in Tiffany-style glass. The perfume of pine was almost overpowering. Every fifty feet or so a smaller path diverged from the main one, heading either to the left or the right, each with a small carved signpost: Albert Bierstadt, Thomas Moran, William Hart.

In short order, she turned down a final bend in the path, where the signboard read Thomas Cole. Just ahead, half hidden among the trees, was a two-story Mission-style cabin, charmingly rusticated and yet of obviously modern construction, with a peeled-log facade and granite fieldstone foundation.

The woman handed him the key. “I’m sure you’ll find everything you need inside,” she said. She looked at her watch. “It’s almost eight. The kitchen closes at nine, so you’ll probably want to get settled in without delay.”

“Thank you,” Logan said. She smiled once again, then turned and retreated back down the pathway. Hefting the key, Logan mounted the steps, then unlocked the front door and stepped in. Snapping on the bank of lights just within, he quickly took in the surroundings: wide-planked floorboards, antique rugs, a modern worktable with a Herman Miller Aeron chair set before it, built-in bookcases and cabinets of mahogany, a huge fireplace of rough stone, and a freestanding spiral staircase going up to a bedroom/sleeping loft above. Through a door in the far wall of the room, he could see a kitchen complete with microwave, Wolf stovetop, and refrigerated wine cellar. It was an aesthetically pleasing, yet highly functional, combinationof old and new.

As he looked around, Logan allowed himself a slow, contented sigh. “Kit,” he told his wife, “I think this place is exactly right. And I’ve given myself six weeks. If I can’t finish it here, then I guess it may never get finished.”

Then, leaving the lights on, he exited the cabin to retrieve his luggage.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Fresh, thrilling, and a lot of fun (4.5 star)
By Matthew A. Bille
This outing for enigmaologist Jeremy Logan offers a lot of fun for his growing number of fans. While it has slow spots and not every twist is a surprise, readers will learn more about Logan in the course of his effort to relax and write a monograph on history at a retreat that is a little too close to some strange, savage murders. Investigating at the behest of a new and interesting character, a philosopher-forest ranger he knew at college, Logan finds a hidden laboratory run by a mad scientist (as in, literally mad at everyone) and a local belief in lycanthropy. This sounds cliched, but the Logan novels are out to put a new spin on classic horror tales, and Child keeps it fresh. The atmosphere is wonderfully real and creepy. There is some interesting real science, some way-out invented science, a little bit of the paranormal, and some nods to the old Hammer Films universe as Logan risks his life to figure out who or what is haunting the remote Appalachian forest. As a science writer and a novelist, I appreciate the way Child can meld the real (gene therapy), the speculative (what if full moon effects are not mythical after all, we've just not studied them right?), and the horrific.
- Matt BilleThe Dolmen

4 of 4 people found the following review helpful.
Read this book !!
By iraqralph
This author is, in my opinion, on of the finest writers existing today. If he writes something on a bathroom wall I will make the trip to read it. This is another example of his exemplary characterization, well thought out story flow and interesting plot build. As you may have guessed I liked this story.

2 of 2 people found the following review helpful.
Bit different from his past books, but a good read
By western read
I really enjoyed the characters and plot, especially Jeremy Logan's character. This is a bit different than past books of his, but I found it an entertaining read.

See all 29 customer reviews...

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Jumat, 07 Oktober 2011

[Q354.Ebook] PDF Download Project Lessons from The Great Escape (Stalag Luft III) (Lessons from History), by Mark Kozak-Holland

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Project Lessons from The Great Escape (Stalag Luft III) (Lessons from History), by Mark Kozak-Holland

While you might think your project plan is perfect, would you bet your life on it? In World War II, a group of 220 captured airmen did just that -- they staked the lives of everyone in the camp on the success of a proejct to secretly build a series of tunnels out of a prison camp their captors thought was escape proof. The prisoners formally structured their work as a project, using the proejct organization techniques of the day. This book analyzes their efforts using modern project management methods and the nine knowledge areas of the Guide to the Project Management Body of Knowledge (PMBoK Guide). Learn from the successes and mistakes of a project where people really put their lives on the line.

A portion of the sale of each copy of this book goes to The Great Escape Memorial Project.

  • Sales Rank: #977233 in Books
  • Brand: Brand: Multi-Media Publications Inc.
  • Published on: 2007-07-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .62" w x 5.51" l, .78 pounds
  • Binding: Paperback
  • 276 pages
Features
  • Used Book in Good Condition

Review
I found Mark's most recent book to be quite excellent. His ability to apply project management theory and methodologies to historical events is quite unique - and informative. I have read other accounts in the past regarding the events at Luft Stalag III, but none from Mark's PM-focused perspective.
Thomas Clement, HP Education
Rating: [5 of 5]

This book and others by Mark are a tremendous resource for educators - the stark reality of failed projects and Mark's detailed research, historical accuracy, and the link to the PMBOK, helps us to analyze and understand we are not alone in managing our complex projects today.
Rating: [5 of 5 Stars]
Linda Desmond, Past President, PMI Mass Bay

Mark uses terms and ideas found in the PMBOK. He also relates the events to the 9 knowledge areas. By applying these principles to a famous historical event, Mark takes the blandness of the PMBOK and combines it with a story, which makes the reader forget that they are reading a book to be used for teaching.
Rating: [5 of 5 Stars]
Amanda Bragg

I thought this was an excellent book.� It took PM and applied it to a real life scenario.� Unlike most books this was easy to read and enjoyable.� I found that I actually picked up the PM concepts and retained them better than when reading "dry" text books which�I have to reread 2-3 times.�
Richard Warner

I really feel that I learned not only some history about the great escape, but also see the PMBoK applications that were used.� This is a great method of teaching and learning!!
Eric Peterson

A nice contrast from the other Project Management materials currently use in the classrooms and workplace [...] Kozak-Holland takes the blandness of the PMBoK and combines it with a story. --TCM Reviews

Straightforward and to the point, once I started reading, I found that I could not put the book down. --Ed Snowden, PMP

[Author Kozak-Holland] has taken a series of events and honorably translated them into a book that shows how project plannign works. [...] His ability to teach the subject by using historic events is second to none. Mr. Kozak-Holland has provided business managers, college students, and anyone interested in the subject a series of books that needs to be part of every college, university, and library. If you haven't read this book, I strongly recommend that you do. They are excellent, and "Project Lessons from The Great Escape" is no exception. --William E. Cooper, Reader Views

From the Author
An author's perspective on the journey to complete the book

Project Lessons from The Great Escape (Stalag Luft III) is the fourth book in the Lessons from History series. It follows the evolution of a Prisoner of War escape from a World War II camp and applies lessons to today's business and project environment. The book makes business recommendations that are backed up by its exhaustively detailed case study of a project team working to achieve a common goal.�

When I completed Churchill's Adaptive Enterprise I had been looking for a while for a follow up in the series but a somewhat simpler historical project. I set some criteria which included a straightforward story line, a well defined beginning, middle, and end. I was also looking for a difficult situation, a dire environment to launch a project, where the political support was lacking, and there would be a lot of groups trying to close it down. It had to be an event that was run as a project and relied more on human ingenuity and perseverance, than established practices and tools.

The idea of using the Great Escape was a true moment of realization, and I was very excited in getting it started. When I first considered the idea I was concerned it could be somewhat removed from what is generally considered "a project" in the business world. It was the least obvious project I could think of, and most people would not consider it to be a project. After sometime to further research it and run the idea by a few people including my publisher Kevin Aguanno at MMPUBS I became convinced and was convinced it was a good idea.

My analysis showed that this event went through a very meticulous and an enormous level planning. The escape committee that planned the escape instigated a project of a monumental scale. They were scaling up previous projects by 20 fold. Nothing was easy, almost everything was a challenge to the project team. An inhospitable and inconducive environment was in place to numb prisoners into boredom and inactivity. These were truly dire circumstances to launch a project from. Hence, the appeal as today's projects seem tame and easy in comparison.

The publisher set up a challenge and suggested that one of the criteria of in writing the book was to look at the project from the 9 project management knowledge areas of the Project Management Book of Knowledge (PMBOK), developed in 1983. The question was whether they would hold up in project that preceeded them by 40 years. It would help establish how well founded these were. Was there evidence that projects of the past followed these intuitively, in the days before the project management discipline was established. Gut feel told me it did, and I wanted to determine if and how well the project followed these knowledge areas. I will let you make the determination.

* for more read lessons-from-history.com/node/103

From the Inside Flap
The Great Escape is an extraordinary event from the Second World War. It was also a project that provides proof points for today's discipline of Project Management. The Project Management Book of Knowledge (PMBOK) was developed in 1983 and it has evolved with the 9 project management knowledge areas.� Yet, how well founded are these? Is there evidence that projects of the past followed these intuitively, in the days before the project management discipline was established? This lesson-from-history explores this�story of true determination, of individuals who struggled to meet project objectives and literally had to do it one step at a time. This was a seemingly impossible project to initiate, never mind complete.

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0 of 0 people found the following review helpful.
The most enganging PM book ever written
By Colin Charles Konrad
Excellent book, I almost read it cover to cover after viewing the original movie. The actual story portrays the harsh realities the POWs faced in real life as opposed to the heroics of Steve McQueen in the movie.

Having studied Project Management in several courses this book is the most interesting application of project management I have read. Thanks for an interesting read.

Colin Konrad

0 of 0 people found the following review helpful.
Great lessons, Great book
By Ray Kaufman
Are you looking for book to help show other how to identify and use project management principles? Seeking examples of project management principles or categorizations? You have found it. I teach at the Graduate School level and we used the book, its story, ideas and examples to understand project management. My students read the book, praised its content and examples. We liked how the author made it project management practical. He showed us how to recognize issues and use it today.

1 of 1 people found the following review helpful.
Could not put the book down
By William J. Vollano Jr.
An entertaining and informative book that connects the Great Escape to the PMBoK (project management book of knowledge) knowledge areas in a way that teaches you without sounding like a classroom textbook. Our department's group of PMPs will be using this book as reference during our weekly lunch and learn sessions to discuss how we can better plan our contingencies. The book has taught me that almost any obstacle can be overcome with some basic brainstorming and resourcefulness. I would highly recommend this book.

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Selasa, 04 Oktober 2011

[N304.Ebook] Ebook Download Judicial Review in State Supreme Courts: A Comparative Study (Suny Series in American Constitutionalism), by Laura Langer

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Judicial Review in State Supreme Courts: A Comparative Study (Suny Series in American Constitutionalism), by Laura Langer

Despite having the final word on many policy issues, state supreme courts have received much less scholarly attention than the United States Supreme Court. Examining these often neglected institutions, this book demonstrates that by increasing our knowledge of the behavior of state supreme court judges across differing areas of law, we can enrich our understanding of the function of state supreme courts, and the relations between these institutions and other branches of government. In addition, Judicial Review in State Supreme Courts advances our conceptualization of the judiciary and offers a more general theory about judicial behavior, accountability, and the role of courts in American society. Langer looks at the policy-making powers of state supreme courts, and the conditions under which justices are most likely to review and invalidate state laws, portraying judges as forward thinking individuals who pursue both policy and electoral goals.

  • Sales Rank: #2089431 in Books
  • Brand: Brand: State University of New York Press
  • Published on: 2002-04-25
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x .43" w x 6.00" l, .56 pounds
  • Binding: Paperback
  • 188 pages
Features
  • Used Book in Good Condition

Review
a refreshing alternative Langer [makes a] convincing case for the importance of studying judicial review in state supreme courts. She demonstrates that these courts are important policymakers. American Political Science Review
This is an excellent piece of original research on a topic of substantial and growing importance in the American political process. The findings regarding the importance of a simultaneous investigation of states and internal/external forces on state supreme courts is pathbreaking. This is first class scholarship with the most appropriate statistical treatment of previously unavailable empirical data on state supreme courts. Nicholas P. Lovrich, Washington State University"

From the Back Cover
Despite having the final word on many policy issues, state supreme courts have received much less scholarly attention than the United States Supreme Court. Examining these often neglected institutions, this book demonstrates that by increasing our knowledge of the behavior of state supreme court judges across differing areas of law, we can enrich our understanding of the function of state supreme courts, and the relations between these institutions and other branches of government. In addition, Judicial Review in State Supreme Courts advances our conceptualization of the judiciary and offers a more general theory about judicial behavior, accountability, and the role of courts in American society. Langer looks at the policy-making powers of state supreme courts, and the conditions under which justices are most likely to review and invalidate state laws, portraying judges as forward thinking individuals who pursue both policy and electoral goals.

About the Author

Laura Langer is Assistant Professor of Political Science at the University of Arizona.

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